Denise Levertov: “Ikon: The Harrowing of Hell"

Ikon: The Harrowing of Hell

By Denise Levertov

Down through the tomb's inward arch
He has shouldered out into Limbo
to gather them, dazed, from dreamless slumber:
the merciful dead, the prophets,
the innocents just His own age and those
unnumbered others waiting here
unaware, in an endless void He is ending
now, stooping to tug at their hands,
to pull them from their sarcophagi,
dazzled, almost unwilling. Didmas,
neighbor in death, Golgotha dust
still streaked on the dried sweat of his body
no one had washed and anointed, is here,
for sequence is not known in Limbo;
the promise, given from cross to cross
at noon, arches beyond sunset and dawn.
All these He will swiftly lead
to the Paradise road: they are safe.
That done, there must take place that struggle
no human presumes to picture:
living, dying, descending to rescue the just
from shadow, were lesser travails
than this: to break
through earth and stone of the faithless world
back to the cold sepulchre, tearstained
stifling shroud; to break from them
back into breath and heartbeat, and walk
the world again, closed into days and weeks again,
wounds of His anguish open, and Spirit
streaming through every cell of flesh
so that if mortal sight could bear
to perceive it, it would be seen
His mortal flesh was lit from within, now,
and aching for home. He must return,
first, in Divine patience, and know
hunger again, and give
to humble friends the joy
of giving Him food—fish and a honeycomb.

Denise Levertov: “On a Theme from Julian's Chapter XX"

On a Theme from Julian's Chapter XX

By Denise Levertov

Six hours outstretched in the sun, yes,
hot wood, the nails, blood trickling
into the eyes, yes—
but the thieves on their neighbor crosses
survived till after the soldiers
had come to fracture their legs, or longer.
Why single out the agony? What’s
a mere six hours?
Torture then, torture now,
the same, the pain’s the same,
immemorial branding iron,
electric prod.
Hasn’t a child
dazed in the hospital ward they reserve
for the most abused, known worse?
The air we’re breathing,
these very clouds, ephemeral billows
languid upon the sky’s
moody ocean, we share
with women and men who’ve held out
days and weeks on the rack—
and in the ancient dust of the world
what particles
of the long tormented,
what ashes.

But Julian’s lucid spirit leapt
to the difference:
perceived why no awe could measure
that brief day’s endless length,
why among all the tortured
One only is “King of Grief.”
The oneing, she saw, the oneing
with the Godhead opened Him utterly
to the pain of all minds, all bodies
—sands of the sea, of the desert—
from first beginning
to last day. The great wonder is
that the human cells of His flesh and bone
didn’t explode
when utmost Imagination rose
in that flood of knowledge. Unique
in agony, Infinite strength, Incarnate,
empowered Him to endure
inside of history,
through those hours when he took to Himself
the sum total of anguish and drank
even the lees of that cup:

within the mesh of the web, Himself
woven within it, yet seeing it,
seeing it whole. Every sorrow and desolation
He saw, and sorrowed in kinship.

“This Day" by Denise Levertov

This Day

By Denise Levertov

i

Dry wafer,
sour wine.

This day I see

God’s in the dust,
not sifted

out from confusion.

ii

Perhaps, I thought,
passing the duckpond,
perhaps—seeing the brilliantly somber water
deranged by lost feathers and bits of
drowning bread—perhaps
these imperfections (the ducklings
practised their diving,
stylized feet vigorously cycling among débris)
are part of perfection,
a pristine nuance? our eyes
our lives, too close to the canvas,
enmeshed within
the turning dance,
to see it?

iii

In so many Dutch 17th-century paintings
one perceives
a visible quietness, to which the concord
of lute and harpsichord contribute,
in which a smiling conversation
reposes;
‘calme, luxe,” and—in auburn or mercurial sheen
of vessels, autumnal wealth
of fur-soft table-carpets,
blue snow-gleam of Delft—
‘volupte’; but also the clutter
of fruit and herbs, pots, pans, poultry,
strewn on the floor: and isn’t
the quiet upon them too, in them and of them,
aren’t they wholly at one with the wonder?

iv

Dry wafer,
sour wine:

this day I see

the world, a word
intricately incarnate, offers—
ravelled, honeycombed, veined, stained—
what hunger craves,

a sorrel grass,
a crust,
water,
salt.