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Brad East Brad East

My latest: on incarnation, Theotokos, and abortion, in Commonweal

A link to my latest essay, in Commonweal, on the incarnation, confession of Mary as Theotokos, and the implications for a Christian understanding of abortion.

I have an essay in the newest issue of Commonweal called “Mother of the Unborn God.” It’s something of a sequel or peer to previous essays in The Christian Century on similar themes: “Birth on a Cross” and “Jewish Jesus, Black Christ.” This one takes conciliar confession of Mary as Theotokos as the metaphysical starting point for theological and moral reflection on Christian teaching about abortion—a topic, if memory serves, that I’ve never written about before. I hope I do justice to it, or at least to the confluence of theological questions raised by faith in Him who was conceived by the Holy Spirit / and born of the Virgin Mary.

Click here to read the full essay.

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Brad East Brad East

New essay published in The Christian Century

An essay of mine is the cover story in the newest issue of The Christian Century; it’s titled “Jewish Jesus, Black Christ.” I first wrote it in late August 2020, about 18 months ago, and it’s finally here, in the world. Thanks to the editors at CC for their comments and for accepting it.

An essay of mine is the cover story in the newest issue of The Christian Century; it’s titled “Jewish Jesus, Black Christ.” I first wrote it in late August 2020, about 18 months ago, and it’s finally here, in the world. Thanks to the editors at CC for their comments and for accepting it. Here are the opening paragraphs:

Outside the Basilica of the Annunciation in Nazareth, along lengthy walls that enclose the church’s courtyard, there is a series of portraits of the Madonna and Child. Each portrait is labeled with the nation whose culture and artistic traditions it represents. Ethiopia, Singapore, Thailand, France: each contribution is not only designated by its origin but marked as such by its features. Many are unmistakable; one knows where they come from at a glance. Some combination of aesthetic style, garb, skin tone, and ethnic and cultural features define the newborn Jesus and his mother as members of a particular people. They belong among them, and in so belonging the Christ Child claims that people as his own. By an unfathomable mystery, he is incarnate as one of them.

Inside the basilica, pilgrims descend to the cave where it is said that the angel Gabriel announced to Mary what was to come. On the altar in the cave is inscribed an amended version of John 1:14: verbum caro hic factum est—the Word became flesh here. The eternal God assumed humanity in the womb of a virgin at a place one can visit, at a date one can locate on a calendar. To the question, “When and where did it happen?” the church has a ready answer.

If that is so, why then a gallery of portraits of what we know Jesus and his mother did not look like? Representing times and places to which Jesus did not come some two millennia ago?

The essay then turns to violence against African-Americans, iconography depicting victims in christological terms, the history of racism in America, and the work of James Cone. Click here for the whole piece.

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Brad East Brad East

Advent

A blessed Advent to y’all. Last year I wrote a reflection for the first Sunday in Advent at Mere Orthodoxy titled “The Face of God.” Here’s a sample: Advent is the season when the church remembers—which is to say, is reminded by the Spirit—that as the people of the Messiah, we are defined not by possession but by dispossession, not by having but by hoping, not by leisurely resting but by eagerly waiting.

A blessed Advent to y’all. Last year I wrote a reflection for the first Sunday in Advent at Mere Orthodoxy titled “The Face of God.” Here’s a sample:

Advent is the season when the church remembers—which is to say, is reminded by the Spirit—that as the people of the Messiah, we are defined not by possession but by dispossession, not by having but by hoping, not by leisurely resting but by eagerly waiting. We are waiting on the Lord, whose command is simple: “Keep awake” (Mark 13:37). Waiting is wakefulness, and wakefulness is watchfulness: like the disciples in the Garden, we are tired, weighed down by the weakness of the flesh, but still we must keep watch and be alert as we await the Lord’s return, relying on his Spirit, who ever is willing (cf. Mark 14:32-42).

The church must also remember, however, that just as we await the Lord’s second coming, so Israel awaited his first. And came he did. The children of Abraham sought the face of God always: and through Mary’s eyes, at long last, the search was complete. “Blessed are the pure in heart, for they shall see God” (Matt 5:8): so they shall, and so she did. Mary, all-holy virgin and mother of God, beheld his face in her newborn son. “And the Word became flesh and dwelt among us, full of grace and truth; we have beheld his glory, glory as of the only Son from the Father” (John 1:14). True, “no one has ever seen God” (1:18), yet “he who has seen [Jesus] has seen the Father” (14:9). And so Mary is the first of all her many sisters and brothers to have seen the face of God incarnate: “That which was from the beginning, which we have heard, which we have seen with our eyes, which we have looked upon and touched with our hands, concerning the word of life—the life was made manifest, and we saw it, and testify to it” (1 John 1:1-2). With Mary the church gives glory to the God who “has helped his servant Israel, in remembrance of his mercy” (Luke 1:54); with Mary, who “kept all these things, pondering them in her heart” (2:19), we contemplate with joy and wonder the advent of God in a manger.

The virgin mater Dei has the visio Dei in a candlelit cave in the dark of winter when she beholds the face of her own newborn son. It is a mystery beyond reckoning. Praise be to God! Come, Lord Jesus.

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Brad East Brad East

Mary’s gaze

Don’t look up, Christ’s concave golden gaze
unbearable, wholly
beyond, beyond
holy: taste
the gold scent and kiss

Don’t look up, Christ’s concave golden gaze
unbearable, wholly
beyond, beyond
holy: taste
the gold scent and kiss
the icon laid open, one wing of a book, with
its following eyes and
closed eyelid-like mouth’s
superimposed prints
of lips (as one white rose is
manifested in others, too
infinitely petaled)—this mouth
hiving unnumbered
kisses
of the by now long long dead . . .
I’ve come back to the church
of my mother, of
my own deceased six-year-old
self and his father
as usual absent, and
I look straight ahead and slowly walk
into Mary’s all enfolding
labyrinth-unraveled blue
and white child’s-drawn-
stars-haloed
gaze
made of birds’ sleep
and word-light
and find
without seeking, by
smell and touch only,
HER—
she is home, waiting
visible,
here.

—Franz Wright, third part of “Triptych,” titled “St. Paul’s Greek Orthodox Church: Minneapolis, 1959,” in Wheeling Motel (Knopf, 2009), 26-27

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