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My latest: on fantasy and theology in The Christian Century
A link to my essay in The Christian Century on Tad Williams, Osten Ard, the genre of fantasy, and Christian faith.
In the latest issue of The Christian Century I have an essay on the divine comedy of epic fantasy, or as the editors titled it, “Gods Who Make Worlds.” It’s ostensibly a review of the final volume of Tad Williams’s quartet The Last King of Osten Ard, which is itself a sequel series to the original trilogy Memory, Sorrow, and Thorn—not to mention a prequel, a bridge novel, and a companion volume—for a total of ten books in this world. The name of that world is Osten Ard, and I use the glories of Osten Ard to think aloud about epic fantasy as a genre and its relationship to Christian faith.
Here are the opening paragraphs:
Three decades ago, Tad Williams published the final volume in the best epic fantasy trilogy written in English since The Lord of the Rings. Called Memory, Sorrow, and Thorn, the series ran from 1988 to 1993 and totaled over a million words. Half of those words came in the final book—one of the longest books ever to make it onto the New York Times bestseller list.
There is no overselling the significance of Williams’s achievement: the biggest names in fantasy in the intervening decades all acknowledge his influence, from Brandon Sanderson to Patrick Rothfuss to Game of Thrones creator George R. R. Martin. (There is no Westeros without Osten Ard, Williams’s fictional world.) Yet, although Williams is hyper-prolific and widely admired, he has never had the success or name recognition of these other authors. No streaming service has yet broken the bank in adapting Williams’s magnum opus.
Why have these books sold well but never set the world on fire?
Three reasons come to mind…
Click here to read the rest. Thanks again to The Christian Century for letting me write about these books and this topic—a big ask, given my lack of qualifications.
My latest: a review of Mark Noll in The Christian Century
A link to my review of Mark Noll’s new book in the latest issue of The Christian Century.
In the new issue of The Christian Century I have a review of Mark Noll’s latest book, America’s Book: The Rise and Decline of a Bible Civilization, 1794–1911. Superlatives fail, as they usually do with Noll’s work. The book is more than a “mere” history, though. It has an argument to make. Here’s how I begin to lay it out:
The United States was, from the start, founded and widely understood as a repudiation of and alternative to European Christendom. Whatever the proper relationship between church and state, the federal government would have no established religion—would not, that is, tax citizens in sponsorship of a formal ecclesiastical body. On this arrangement, most nascent Americans agreed. What then would, or should, the implications be for Christian faith and doctrine in the public square? How could Christian society endure without the legal and political trappings of Christendom?
Answer: through the Bible. Not the Bible and; not the Bible as mediated by. The Bible alone. America would be the first of its kind: a “Bible civilization.” That is to say, a constitutional republic of coequal citizens whose common, voluntary trust in the truth and authority of Christian scripture would simultaneously (1) put the lie to the “necessity” of coercive religious regimes, (2) provide the moral character required for a liberal democracy to flourish, and (3) fulfill the promise of the Protestant Reformation. Sola scriptura thus became the unwritten law of the land. Regardless of one’s confession or tradition, the sufficiency of the Bible for all aspects of life—the canon as the cornerstone for religion, ethics, and politics alike—was axiomatic. For more than a century, it functioned as a given in public argument. Only rarely did it call for an argument itself.
Keep reading for more, including a disagreement with Noll regarding how to interpret prior generations’ disputes over how to read the Bible, in this case about chattel slavery.
A double review of my books in The Christian Century
A link to and excerpt from a review in the Christian Century of my two books on the Bible.
A few days ago a co-authored review of both my books on the Bible—The Doctrine of Scripture (2021) and The Church’s Book (2022)—appeared in The Christian Century. It was written by Zen Hess and Chris Palmer. The title is “We Do Not Read Alone.” Here’s a taste, from about a third of the way through:
East writes with engaging confidence as he moves through the writings of Webster, Jenson, and Yoder. It is no small contribution to offer charitable and careful interpretations of these three men’s doctrines of scripture. But East goes beyond the descriptive. The Church’s Book begins to lay the groundwork for an account of what scripture is. He gestures toward this in the final two chapters of The Church’s Book and turns to it more fully in The Doctrine of Scripture.
The latter book feels like it’s written to a more immediate audience: his students. East teaches at Abilene Christian University, in the heartland of American evangelicalism. If you live in Texas, like we do, it’s not hard to imagine him strolling through coffee shops filled with young Christians, their note-scribbled Bibles open, wondering how their underlined words will reveal God’s presence to them. East, we imagine, invites these students to deepen their reading practices and to move from the individual toward the communal, showing how scripture can be more fully understood within the economy of salvation and the historic faith of all God’s people. East’s basic word to his students is this: scripture needs the church as much as the church needs scripture.
They’re not wrong. It almost feels like they’ve been following me around, or interviewing my students. It’s eerie.
Go read the whole thing. It is generous, gracious, perceptive, and thoughtful. (Is this what being reviewed is always like?) I’m gratified and grateful. Thanks to the authors and to the editors at the magazine.
New essay published in The Christian Century
An essay of mine is the cover story in the newest issue of The Christian Century; it’s titled “Jewish Jesus, Black Christ.” I first wrote it in late August 2020, about 18 months ago, and it’s finally here, in the world. Thanks to the editors at CC for their comments and for accepting it.
An essay of mine is the cover story in the newest issue of The Christian Century; it’s titled “Jewish Jesus, Black Christ.” I first wrote it in late August 2020, about 18 months ago, and it’s finally here, in the world. Thanks to the editors at CC for their comments and for accepting it. Here are the opening paragraphs:
Outside the Basilica of the Annunciation in Nazareth, along lengthy walls that enclose the church’s courtyard, there is a series of portraits of the Madonna and Child. Each portrait is labeled with the nation whose culture and artistic traditions it represents. Ethiopia, Singapore, Thailand, France: each contribution is not only designated by its origin but marked as such by its features. Many are unmistakable; one knows where they come from at a glance. Some combination of aesthetic style, garb, skin tone, and ethnic and cultural features define the newborn Jesus and his mother as members of a particular people. They belong among them, and in so belonging the Christ Child claims that people as his own. By an unfathomable mystery, he is incarnate as one of them.
Inside the basilica, pilgrims descend to the cave where it is said that the angel Gabriel announced to Mary what was to come. On the altar in the cave is inscribed an amended version of John 1:14: verbum caro hic factum est—the Word became flesh here. The eternal God assumed humanity in the womb of a virgin at a place one can visit, at a date one can locate on a calendar. To the question, “When and where did it happen?” the church has a ready answer.
If that is so, why then a gallery of portraits of what we know Jesus and his mother did not look like? Representing times and places to which Jesus did not come some two millennia ago?
The essay then turns to violence against African-Americans, iconography depicting victims in christological terms, the history of racism in America, and the work of James Cone. Click here for the whole piece.
New review in the latest issue of Christian Century
"The spiritual sense that [premodern] saints sought—which is to say, prayed for, delighted in, and contemplated—was not a 'stable' 'layer' of meaning 'residing' in the text. It was the in principle infinite sacramental signification of human signs divinely authored and illumined. For the res of scripture, as a whole and in each of its parts, is Christ. Just how any one particular text of scripture signifies Christ, not to mention just what Christ might use such a text to say to the believing reader under the Spirit’s guidance, is limited neither by human authors’ intentions nor by ordinary rules of grammar and syntax, nor by the capacities, desires, or convictions of readers, believing or pagan. It is determinate, but only insofar as Christ is determinate. And Christ makes himself present and known in endless ways on countless occasions: in the determinate elements of the Eucharist, in the determinate bodies of the faithful, in the determinate words of the sermon, in the determinate sufferings of the least of these. Just so, we should expect countless, indeed endless, manifestations of Christ on the sacred page."
Read the whole thing here.
Kathryn Tanner featured in The Christian Century
Pauw only hints at a possible criticism, namely the role and doctrine of the church in Tanner's thought, but doesn't explore it further. That's because she already did so in an article some years ago, which gently but less tentatively suggests Tanner develop an ecclesiology—which Tanner then did, albeit briefly, in a response to that essay. For those interested in pursuing that line of thought, two years ago I published an article in Scottish Journal of Theology called "An Undefensive Presence: The Mission and Identity of the Church in Kathryn Tanner and John Howard Yoder."
In any case: Now let's see those Gifford lectures in print!