The Gray Man

Why is The Gray Man so bad? Chris Evans is in top form, while Ryan Gosling and Ana de Armas are always game. It could be the script; but then, dumb action scripts have the potential to be elevated by competent direction into quality entertainment, and occasionally even excellent art.

The culprit has to be the Russo brothers. Yet they are the same directors of this scene, which contains more clarity, line of sight, and visual creativity in three minutes than anything in the full running time of TGM. Don’t they know they now live in a world ruled by action auteurs like Christopher McQuarrie, Chad Stahelski, and Gareth Evans? Are there more than three straight seconds of coherent, sustained editing in TGM before a careening drone shot or confusing cut renders the action visual gibberish? Why all the CGI smoke, gas, and fire? Why the constant haze, a sort of vague fog constantly filtering the audience’s sight? Is it cinematographer Stephen Windon’s fault? Someone else’s? Who is spending all that Netflix cash? On what, exactly, other than an outlandish and unnecessary travel budget? Why are the visuals and action of Extraction, another Netflix film produced by the Russos but directed by first-timer Sam Hargrave, superior to TGM’s? Why, why, why?

Does anyone know the answer? I certainly don’t.