My latest: on lights and liturgy, in CT

Yesterday Christianity Today published an article of mine called “All Hail the Power of … Stage Lighting?” It opens with an anecdote taken verbatim from one of my freshmen. (Out of the mouths of babes…) You sort of have to read it to believe it.

Here are four paragraphs from later on in the piece:

To afford, maintain, and operate professional lighting of the sort my student had in mind, a church would have to be far above the 90th percentile of American congregational size, which is 250 regular attendees. Yet for my student, as for so many others, this size and its hallmarks are paradigmatic rather than exceptional. They’re just “what church is today,” what one would reasonably expect visiting a random church in a strange city.

This trend is both cause and consequence of churches investing in technologies that make Sunday morning a high-production offering, whether for in-person crowds or for folks who stream from home. Long before COVID-19 but exacerbated by lockdown, many churches have been competing in a kind of techno-liturgical arms race to draw seekers, especially young families and professionals, to the “Sunday morning experience” of high-tech public worship.

For many seasoned evangelicals among the millennial and Zoomer generations, the result—state-of-the-art, high-definition, professional video and audio and music, with smooth transitions and fancy lighting, all frictionless and ready-made for the internet—is simply becoming the norm. It’s what church, or worship, means.

At best, the gospel retains the power to cut through all the noise. At worst, believers receive neither the Lord’s Word nor his body and blood. Instead, they get a cut-rate TED Talk, spiritual but not religious, sandwiched between long sessions of a soft rock concert.

Click here to read the rest. And keep your eyes on CT in the next week; they’ll have my review of John Mark Comer’s new book up soon as well.