My latest: a review of Christian Wiman in Comment

It’s called “A Poet’s Faith Against Despair.” The following excerpt comes after the essay’s opening discussion of kataphatic and apophatic talk about God:

You can see why apophasis—as a theory and practice of language, yes, but just as much a style or mood—might appeal to poets. Poetry is the art of saying with words more than words can say. Poets are not masters of words; or, at least, the mastery lies in their recognition of the incapacities of language and their resilience with the failures that result. Is human language metaphysically load-bearing? Poets know the answer is affirmative so long as it’s immediately negated.

Of apophasis in all its varieties, Christian Wiman is a poet without living peer. Or if that’s too grand for you—I wouldn’t really know, since I read poetry the way Wiman reads theology, for nourishment and joy and the prick of provocation, which is to say, not professionally, not with a skeptical and parsimonious eye, which is to say, the way we all read before we’re taught to stop it—then say simply that Wiman’s work stands out from the crowd. Whether he’s writing prose or poetry or something in between, you know his voice at once. In part this is because he’s always writing about the same thing (more on that below, and why it’s not a criticism). What he writes about, though, is indistinguishable from how he writes. That’s what makes him great.

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Jenson on being stuck with the Bible's language

"[In my work] I have used Luther's insights [about the hiddenness of God] therapeutically, to ward off a bowdlerized apophaticism which has recently been popular. That God is unknowable must not be construed to mean that he is but vaguely glimpsed through clouds of metaphysical distance, so that we are compelled—and at liberty—to devise namings and metaphors guided by our religious needs. It means on the contrary that we are stuck with the names and descriptions the biblical narrative contingently enforces, which seem designed always to offend somebody; it means that their syntax is hidden from us, so that we cannot identify synonyms or make translations. It means that we have no standpoint from which to relativize them and project more soothing visions."

—Robert Jenson, "The Hidden and Triune God," in Theology as Revisionary Metaphysics: Essays on God and Creation, 69-77, at 70-71